Vedi metadata
I METADATI DI QUESTO DOI SONO STATI AGGIORNATI IL: 2024-01-10 22:48
Cite as
-
Titolo completo
MERCATI E COMPETITIVITÀ
-
Editore
FrancoAngeli
-
ISSN
1826-7386 (Rivista Stampata)
1972-4861 (Rivista Online)
-
Numero del fascicolo
3
-
Designazione del fascicolo
3
-
Data del fascicolo (YYYY/MM)
2015/09
-
Titolo completo
Strategic practices and italian opera houses' performance: the innovation dilemma
-
Di (autore)
-
Prima Pagina
39
-
Ultima Pagina
59
-
Lingua del testo
Italiano
-
Data di publicazione
2015/09
-
Copyright
2015 FrancoAngeli srl
Introduzione o prefazione
In this article it is explored the effect of innovation on Italian opera houses' performance. Innovation is measured as the number of new opera productions staged by a theatre (i.e., "new" in terms of set designs, costumes and stage directions not previously used by any other opera house). Opera houses' performance is measured as occupancy rate and ability to attract private grants. Our sample includes two Italian operatic institutions: 1) lyric and symphonic foundations, and 2) teatri di tradizione. Data collected from 2007 to 2009 show that among the sampled institutions, only the lyric and symphonic foundations are able to increase their occupancy rate from new opera productions. Moreover results highlight that the ability of opera houses to collect private grants is positively affected by the number of new opera productions, meaning that innovation plays a key role in strengthening opera houses' fundraising capabilities. This is particularly important in the Italian opera scenario where the severe consequences of the economic crisis and decreased public funding to opera houses have sharpened competition for scarce financial resources.
Elenco citazioni del
10.3280/MC2015-003003
Citazione non strutturata
Agid P., Tarondeau J.C. (2008). Les performances des maisons d’opéra: une explication statistique (No. DR 08019). ESSEC Research Center, ESSEC Business School.
Citazione non strutturata
Aiken L.S., West S.G. (1991). Multiple regression: testing and interpreting interactions. Newbury Park, London: Sage.
Citazione non strutturata
Austin B.A. (1981). Film attendance: why college students chose to see their most recent film. Journal of Popular Film and
Television, 9(1): 43-49.
https://doi.org/10.1080/01956051.1981.10661887
Citazione non strutturata
Baumol W.J., Bowen W.G. (1966). Performing Arts: The Economic Dilemma. New York: Twentieth Century Fund.
Citazione non strutturata
Bradford G., Gary M., Wallach G. (2000). The politics of culture: policy perspectives for individuals, institutions and communities. New York: New Press.
Citazione non strutturata
Brooks A.C., Kushner R. (2001). Cultural policy and urban development. International Journal of Arts Management, 3(2): 4-15.
Citazione non strutturata
Cloake M. (1997). Management, the Arts and Innovation. In M. Fitzgibbon and A. Kelly (eds.), From Maestro to Manager. Critical Issues in Arts and Culture Management. Oak Tree Press, Dublin.
Citazione non strutturata
Colbert F. (2003). Entrepreneurship and leadership in marketing the arts. International Journal of Arts Management, 6(1): 30-40.
Citazione non strutturata
Colbert F. (2009). Beyond branding: contemporary marketing challenges for arts organizations. International Journal of Arts Management, 12(1): 14-20.
Citazione non strutturata
Cori E. (2004). Aspetti istituzionali e dinamiche organizzative del teatro d’opera in Italia. Milano: FrancoAngeli
Citazione non strutturata
Cummings M.C., Kartz R.S. (1987). The Patron State. New York: Oxford University Press.
Citazione non strutturata
Donato F. (2004). Il management degli enti lirici. Ricerca degli equilibri e sistemi di misurazione. FrancoAngeli, Milano.
Citazione non strutturata
Dubini P. (1999). Economia delle aziende culturali. Etas, Milano.
Citazione non strutturata
EDT / CIDIM. 2006. Opera 2006: Annuario dell’opera lirica in Italia, EDT, Torino.
Citazione non strutturata
EDT / CIDIM. 2007. Opera 2007: Annuario dell’opera lirica in Italia, EDT, Torino.
Citazione non strutturata
EDT / CIDIM. 2008. Opera 2008: Annuario dell’opera lirica in Italia, EDT, Torino.
Citazione non strutturata
EDT / CIDIM. 2009. Opera 2009: Annuario dell’opera lirica in Italia, EDT, Torino.
Citazione non strutturata
Fuchs P.P. (1969). Psychology of Conducting. MCA Music, New York.
Citazione non strutturata
Gilhespy I. (1999.) Measuring the performance of cultural organizations: A model. International Journal of Arts Management, 2(1): 38-52.
Citazione non strutturata
Guler I. (2007). Throwing good money after bad? Political and institutional influences on sequential decision making in the
venture capital industry. Administrative Science Quarterly, 52: 248-285.
https://doi.org/10.2189/asqu.52.2.248
Citazione non strutturata
Hair J.F., Anderson R.E., Tatham R. L., Black W.C., (1995). Multivariate Data Analysis. Fourth Edition, Prentice Hall, Englewood Cliffs, New Jersey.
Citazione non strutturata
Heilbrun, J., C.M. Gray. (1993). The Economics of Art and Culture: An American Perspective. Cambridge University Press, New York.
Citazione non strutturata
Jensen M., Kim B.K., Kim H. (2011). The importance of status in markets: a market identity perspective. In J.L. Pearce (Eds.),
Status in Management and Organizations (p. 87-117). UK: Cambridge University Press.
https://doi.org/10.1017/CBO9780511760525.008
Citazione non strutturata
Kotler P., Scheff J. (1996). Crisis in the arts: the marketing response. California management review, 39(1).
https://doi.org/10.2307/41165875
Citazione non strutturata
Mariani M., Cattani G., Ferriani S. (2010). Resource dependence, audiences degree of experimentation: evidence from the classical music sector, working paper, Stern School of Business, New York University.
Citazione non strutturata
Ni Bhradaigh E. (1997). Arts marketing: a review of research and issues. In Fitzgibbon M., Kelly A. 1997. From maestro to manager. Critical issues in arts and culture management. Oak Tree Press, Dublino.
Citazione non strutturata
Radbourne J. (1998). Benchmarking performing arts centers in Australia. Brussels: WCVM Journal and Research Data Center.
Citazione non strutturata
Schuman W., Stevens R.L. (1979). Economic Pressures and The Future of the Arts. New York: The Free Press.
Citazione non strutturata
Sicca L.M., Zan L. (2005). Much Ado About Management: Managerial Rethoric in the Transformation of Italian Opera Houses. International Journal of Arts Management, 7(3): 46-64.
Citazione non strutturata
Voss Z.G., Voss G.B. (2000). Exploring the impact of organizational values and strategic orientation on performance in not-for-profit professional theatre. International Journal of Arts Management, 3(1): 62-76.