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Unstructured Zitierung

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Unstructured Zitierung

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Unstructured Zitierung

Abbattista Guido (2013), Umanità in mostra: esposizioni etniche e invenzioni esotiche in Italia (1880-1940), Trieste, EUT.

Unstructured Zitierung

Aitken Ian, Deprez, Camille Introduction, in Aitken Ian, Deprez Camille (a cura di) (2017), The Colonial Documentary Film in South and South- East Asia, Edimburgo, Edinburgh University Press, pp. 1-26.

https://doi.org/10.1515/9781474407212-003

Unstructured Zitierung

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https://doi.org/10.1177/0047244117700076

Unstructured Zitierung

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Unstructured Zitierung

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https://doi.org/10.3726/978-3-0351-0059-4

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Unstructured Zitierung

Bennett Tony (1998), Speaking to the eyes. Museums, legibility and the social order, in Macdonald Sharon (a cura di), The Politics of Display: Museums, Science, Culture, London, Routledge, pp. 25-35.

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Unstructured Zitierung

Blanchard Pascal, Boëtsch Gilles, Jacomijn Snoep Nanette (a cura di) (2012), Exhibitions. L’invention du sauvage, Paris, Acte sud.

Unstructured Zitierung

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Unstructured Zitierung

Bonifazio Paola (2014), Schooling in Modernity. The Politics of Sponsored Films in Postwar Italy, Toronto, University of Toronto Press.

https://doi.org/10.3138/9781442669475

Unstructured Zitierung

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Unstructured Zitierung

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https://doi.org/10.4324/9780203967386

Unstructured Zitierung

Burdett Charles (2005), Colonial Association and the Memory of Italian East Africa, in Andall Jacqueline, Duncan Derek (a cura di), Italian Colonialism. Legacy and Memory, Berna, Peter Lang.

Unstructured Zitierung

Caprotti, Federico (2005), Information management and Fascist identity. Newsreels in Fascist Italy, “Media History”, n. 11 (3), pp. 177-191.

https://doi.org/10.1080/13688800500323899

Unstructured Zitierung

Castelli Enrico (1992), Dal collezionismo etnografico al museo di propaganda: la parabola del museo coloniale in Italia, in Labanca Nicola (a cura di), L’Africa in vetrina, Treviso, Pagus Edizioni, pp. 107-121.

Unstructured Zitierung

Carli, Maddalena (2015) L’Italia all’Exposition coloniale internationale et des pays d’outre-mer, Paris 1931, “Ricerche storiche”, n. 1-2, pp. 219-227.

Unstructured Zitierung

Cerreti Claudio (1987), La raccolta cartografica dell’Istituto Italo-Africano. Presentazione del fondo e guida alla consultazione, Roma, Istituto Italo-Africano.

Unstructured Zitierung

Cohn Bernard S., Dirks Nicholas B. (1988), Beyond the Fringe: The Nation State, Colonialism, and the Technologies of Power, “Journal of Historical Sociology”, n. 1 (2), pp. 224–229.

https://doi.org/10.1111/j.1467-6443.1988.tb00011.x

Unstructured Zitierung

Collotti Enzo (2000), Fascismo e politica di potenza. Politica estera 1922-1939, Milano, La Nuova Italia.

Unstructured Zitierung

Conklin Alice (2013), In the Museum of Man: Race, Anthropology, and Empire in France, 1850-1950, New York, Cornell University Press.

https://doi.org/10.7591/9780801469046

Unstructured Zitierung

Cooper Frederick (2005), Colonialism in Question. Theory, Knowledge, History, Berkeley, University of California Press.

https://doi.org/10.1525/9780520938618

Unstructured Zitierung

Crawford Peter Ian, Turton David (a cura di) (1992), Film as Ethnography, Manchester, Manchester University Press.

Unstructured Zitierung

Darwin John (2015), Memory of Empire in Britain: A Preliminary View, in Rothermund, Dietmar (a cura di), Memories of Post-Imperial Nations: The Aftermath of Decolonization, 1945-2013, Oxford, Oxford University Press.

https://doi.org/10.1017/CBO9781316182543.003

Unstructured Zitierung

Daston Lorraine, Park Katharine (a cura di) (1998), Wonders and the Order of Nature 1150-1750, New York, Zone Books.

Unstructured Zitierung

Daugeron Bertrand (2009), Collections naturalistes entre science et empires (1763-1804), Paris, Publications Scientifiques du Muséum National d’Histoire Naturelle.

Unstructured Zitierung

Del Boca Angelo (1984), Gli Italiani in Africa Orientale. Vol. 4. Nostalgia delle colonie, Roma-Bari, Laterza.

Unstructured Zitierung

Del Boca Angelo (1992), L’Africa nella coscienza degli italiani, Roma-Bari, Laterza.

Unstructured Zitierung

Del Boca Angelo (1997), Gli italiani in Libia. Dal fascismo a Gheddafi, Milano, Mondadori.

Unstructured Zitierung

Del Boca Angelo (a cura di) (1997), Adua le ragioni di una sconfitta, Roma-Bari, Laterza.

Unstructured Zitierung

Del Boca Angelo (2005), Italiani, brava gente?, Neri Pozza, Vicenza.

Unstructured Zitierung

Dellmann Sarah, Kessler Frank (a cura di) (2020), A Million Pictures: Magic Lantern Slide Heritage as Artefacts in the Common European History of Learning, Londra, John Libbey,

https://doi.org/10.2307/j.ctv14rmqjp

Unstructured Zitierung

Degrada Elena, Mosconi Elena, Paoli Silvia (a cura di) (2007), Moltiplicare l’istante: Beltrami, Comerio e Pacchioni tra fotografia e cinema, Milano, Il Castoro.

Unstructured Zitierung

Depaepe Marc (2000), Order in Progress: Everyday Educational Practice in Primary Schools, Belgium, 1880-1970, Leuven, Leuven university press.

Unstructured Zitierung

Deplano Valeria, Pes Alessandro (a cura di) (2014), Quel che resta dell’impero. La cultura coloniale degli italiani, Milano, Mimesis.

Unstructured Zitierung

Deplano Valeria (2015), L’Africa in casa. Propaganda e cultura coloniale nell’Italia fascista, Firenze, Le Monnier.

Unstructured Zitierung

Di Nolfo Ennio (1996), La persistenza del sentimento coloniale in Italia nel secondo dopoguerra, in Carucci Paola e al. (a cura di), Fonti e problemi della politica coloniale italiana. Atti del convegno, Taormina-Messina, 23-29 ottobre 1989, vol. 2, Roma, Ministero per i beni culturali e ambientali, Ufficio centrale per i beni archivistici.

Unstructured Zitierung

Dixon Robert (2013), Photography, Early Cinema and Colonial Modernity. Frank Hurley’s Synchronized Lecture Entertainments, New York, Anthem Press.

https://doi.org/10.7135/UPO9781843317593

Unstructured Zitierung

Erbaggio Pierluigi (2013), Istituto Nazionale Luce: A National Company with an International Reach, in Bertellini Giorgio (a cura di), Italian Silent Cinema: A Reader Londra, John Libbey.

Unstructured Zitierung

Ertola Emanuele (2013), Navi bianche. Il rimpatrio dei civili italiani dall’Africa Orientale, “Passato e Presente”, n. 91, pp. 127-143.

https://doi.org/10.3280/PASS2014-091007

Unstructured Zitierung

Falcucci Beatrice (2021), Visualizing colonial power: museum exhibitions and the promotion of imperialism in France, Belgium, and Italy, “Nuncius. Journal of the material and visual history of science” Special Issue: “Science and Race: Images, Objects, Maps”, n. 36 (3), pp. 676-722.

https://doi.org/10.1163/18253911-03603004

Unstructured Zitierung

Falcucci Beatrice (2021), Il Museo Coloniale di Roma tra propaganda imperiale, oblio e riallestimento, “Passato e Presente”, n. 112, pp. 83-99;

https://doi.org/10.3280/PASS2021-112006

Unstructured Zitierung

Falcucci Beatrice (2020), Dall'Erbario coloniale al Museo Africano (1904-1972), “Nuova Museologia”, n. 43 (4), pp.18-28.

Unstructured Zitierung

Federzoni Luigi (1926), Venti mesi di azione coloniale, Milano, Mondadori.

Unstructured Zitierung

Federzoni Luigi (1993), 1927. Diario di un ministro del fascismo, Firenze, Passigli Editore.

Unstructured Zitierung

Finaldi Giuseppe (2017), A History of Italian Colonialism 1860-1907, London-New York, Routledge.

https://doi.org/10.4324/9781315520254

Unstructured Zitierung

Focardi Filippo (2013), Il cattivo tedesco e il bravo italiano: la rimozione delle colpe della Seconda guerra mondiale, Laterza, Roma-Bari.

Unstructured Zitierung

Gabaccia Donna (2000), Italy’s Many Diasporas, London, UCL Press.

Unstructured Zitierung

Giglio Umberto (1924), Un centro di vita. Il museo coloniale, “Rassegna italiana del Mediterraneo”, n. 40, pp. 3-7.

Unstructured Zitierung

Giglio Umberto (1933), Il Museo coloniale italiano, “Realtà”, 1° maggio, pp. 543-546.

Unstructured Zitierung

Giorgi Chiara (2012), L’Africa come carriera: funzioni e funzionari del colonialismo italiano, Roma, Carocci.

Unstructured Zitierung

Glenn Penny H. (2002), Objects of culture: ethnology and ethnographic museums in Imperial Germany, Chapel Hill, The University of North Carolina Press.

Unstructured Zitierung

Goglia Luigi, Grassi Fabio (1993), Il colonialismo italiano da Adua all’impero, Roma-Bari, Laterza.

Unstructured Zitierung

Grieveson Lee, MacCabe Tony (a cura di) (2011), Film and the End of Empire, Londra, British Film Institute.

https://doi.org/10.1007/978-1-349-92502-5

Unstructured Zitierung

Grimshaw Anna, Ravetz Amanda (2005), Visualizing Anthropology, Bristol, Intellect.

https://doi.org/10.2307/j.ctv36xw2x9

Unstructured Zitierung

Guida Guido (1941), Il Museo dell’Impero d’Italia, Cappelli, Bologna.

Unstructured Zitierung

Hannoum Abdelmajid (2019), Memory at the Surface: Colonial Forgetting in Postcolonial France, “Interventions. International Journal of Postcolonial Studies”, n. 21 (3), pp. 367-391.

https://doi.org/10.1080/1369801X.2019.1585905

Unstructured Zitierung

Hoffenberg Peter H. (2001), An Empire on Display. English, Indian, and Australian Exhibitions from the Crystal Palace to the Great War, Berkely, University of California Press.

https://doi.org/10.1525/9780520922969

Unstructured Zitierung

Hooks bell (1992), Black Looks. Race and Representation, Boston, South End Press.

Unstructured Zitierung

Labanca Nicola (a cura di) (1992), L’Africa in vetrina, Treviso, Pagus Edizioni.

Unstructured Zitierung

Labanca Nicola (2002), Oltremare. Storia dell’espansione coloniale italiana, Bologna, Il Mulino.

Unstructured Zitierung

Laura Ernesto G. (2000), Le stagioni dell’aquila: storia dell’Istituto Luce, Roma, Ente dello Spettacolo.

Unstructured Zitierung

Lussana Fiamma (2018), Cinema educatore. L’Istituto Luce dal fascismo alla liberazione 1924-1945, Roma, Carocci.

Unstructured Zitierung

Macdonald Sharon (1998), “Exhibitions of power and powers of exhibition: an introduction to the politics of display”, in Macdonald Sharon (a cura di), The politics of Display, Museums, Science, Culture, Londra, Routledge.

Unstructured Zitierung

MacKenzie John (2010), Museums and Empire: Natural History, Human Cultures and Colonial Identities, Manchester, Manchester University Press.

Unstructured Zitierung

Mancosu, Gianmarco (2021), Risentimento coloniale. I “nemici” dell’Italia e la retorica sul ritorno in Africa (1946-1960), “Diacronie. Studi di Storia Contemporanea”, n. 45 (1).

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Mancosu Gianmarco (2014), L’impero visto da una cinepresa: il reparto “Africa Orientale” dell’Istituto LUCE, in Deplano Valeria, Pes Alessandro (a cura di), Quel che resta dell’impero. La cultura coloniale degli italiani, Milano, Mimesis.

Unstructured Zitierung

Margozzi Mariastella (a cura di) (2005), Dipinti, sculture e grafica delle collezioni del Museo Africano. Catalogo generale, Roma, Isiao.

Unstructured Zitierung

Mignemi Adolfo (1984), Immagine coordinata per un impero. Etiopia 1935-1936, Torino, Forma.

Unstructured Zitierung

Mirzoeff Nicholas (2006), On Visuality, “Journal of Visual Culture”, n. 5 (1), pp. 53-79.

https://doi.org/10.1177/1470412906062285

Unstructured Zitierung

Mitchell Timothy (1998), Orientalism and The Exhibitionary Order, in Mirzoeff Nicholas (a cura di), The Visual Culture Reader, Londra, Routledge.

Unstructured Zitierung

Morone Antonio (2014), Il vizio coloniale tra storia e memoria, in Deplano Valeria, Pes Alessandro (a cura di), Quel che resta dell’Impero. La cultura coloniale degli italiani, Milano, Mimesis.

Unstructured Zitierung

Morone Antonio (2016), La fine del colonialismo italiano tra storia e memoria, “Storicamente”, n. 12, pp. 1-31.

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Unstructured Zitierung

Musser Charles (2013), Problems in Historiography. The Documentary Tradition Before ‘Nanook of the North’, in Winston Brian (a cura di), The Documentary Film Book, Londra, Palgrave Macmillan.

https://doi.org/10.1007/978-1-349-92625-1_13

Unstructured Zitierung

Narducci Guglielmo (1941), Il Museo dell’Africa italiana, “L’Italia d’oltremare”, n. 6 (9), pp. 140-141.

Unstructured Zitierung

Palma Silvana (2013), Mirror with a memory? La confezione dell’immaginario coloniale, in Bertella Farnetti Paolo, Mignemi Adolfo, Triulzi Alessandro (a cura di), L’Impero nel cassetto. L’Italia coloniale tra album pubblici e archivi privati, Milano, Mimesis.

Unstructured Zitierung

Palma Silvana (2005), L’Africa nella collezione fotografica dell'IsIAO, Il fondo Eritrea-Etiopia, Roma Napoli, IsIAO – Università di Napoli “L’Orientale”.

Unstructured Zitierung

Palma Silvana (1989), La fototeca dell'Istituto Italo Africano: appunti di un lavoro di riordino, “Africa: Rivista trimestrale di studi e documentazione dell'Istituto italiano per l’Africa e l'Oriente”, n. 44(4), pp. 595-609.

Unstructured Zitierung

Pastorelli Pietro (2009), Il ritorno dell’Italia nell’occidente. Racconto della politica estera italiana dal 15 settembre 1945 al 21 novembre 1949, Milano, LED.

Unstructured Zitierung

Penz François (2012) Museums as Laboratories of Change: The Case for the Moving Image, in Dalle Vacche Angela (a cura di) Film, Art, New Media, London, Palgrave Macmillan.

Unstructured Zitierung

Pes Alessandro (2017), Il lavoro italiano in colonia nel dibattito politico tra il 1946 e il 1949, “Il politico”, n. 82 (3), pp. 160-175.

Unstructured Zitierung

Piredda Maria Francesca (2005), FILM & MISSION. Per una Storia del Cinema Missionario, Roma, Ente per lo spettacolo.

Unstructured Zitierung

Pivato Stefano (2007), Vuoti di memoria: usi e abusi della storia nella vita pubblica italiana, Bologna, Laterza.

Unstructured Zitierung

Porciani Ilaria (2010), La nazione in mostra. Musei storici europei, “Passato e Presente”, n. 79, pp. 109-132.

https://doi.org/10.3280/PASS2010-079006

Unstructured Zitierung

Prakash Gyan (a cura di) (1995), After Colonialism. Imperial Histories and Postcolonial Displacements, Princeton, Princeton University Press.

https://doi.org/10.1515/9781400821440

Unstructured Zitierung

Ramaswamy Sumathi (2014), The Work of Vision in the Age of European Empire, in Jay Martin e Sumathi Ramaswamy (a cura di), Empires of Vision. A Reader, Durham, Duke University Press, pp. 1-22.

https://doi.org/10.2307/j.ctv1220q6d.6

Unstructured Zitierung

Rava Carlo Emilio (1938), La nuova sede del Ministero dell'Africa Italiana in Roma, “Annali dell’Africa Italiana”, 1 (3/4), pp. 1301-1306.

Unstructured Zitierung

Romano Sergio (2011), La politica estera fascista. Un dramma in due atti, “Il politico”, n. 76 (3), pp. 311-326.

Unstructured Zitierung

Rossetti Carlo (1941), Origini del Museo dell’Africa italiana, “Africa Italiana”, n. 19 (6), pp. 13-16.

Unstructured Zitierung

Santomauro Luigi (1932), La nuova sede del Museo Coloniale a Villa Borghese, “L’Azione Coloniale”, a. 2, n. 43, 24 novembre, p. 3.

Unstructured Zitierung

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Unstructured Zitierung

Shepard Tamara (2015), Mapped, Measured, and Mined: The Social Graph and Colonial Visuality, “Social Media + Society”, n. 1 (1), pp. 1- 2.

https://doi.org/10.1177/2056305115578671

Unstructured Zitierung

Sorlin Pierre (2007), A Mirror for Fascism. How Mussolini Used Cinema to Advertise his Person and Regime, “Historical Journal of Film, Radio, and Television”, n. 27 (1), pp. 111-117.

https://doi.org/10.1080/01439680601177163

Unstructured Zitierung

Surdich Francesco (1982), L’esplorazione italiana dell’Africa, Milano, Il Saggiatore.

Unstructured Zitierung

Surge Kate (2007), Representing Others: Translation, Ethnography and Museum, Londra, Routledge.

Unstructured Zitierung

Taddia Irma (2005), Italian Memories/African Memories of Colonialism, in Ruth Ben-Ghiat e Mia Fuller (a cura di), Italian Colonialism, New York, Palgrave Macmillan.

https://doi.org/10.1007/978-1-4039-8158-5_19

Unstructured Zitierung

Talbot Stuart (2006), The Perfect Projectionist. Philip Carpenter, 24 Regent Street, London, “Bulletin of the Scientific Instrument Society”, n. 88, pp. 17-20.

Unstructured Zitierung

Tarchiani Alberto (1955), Dieci anni tra Roma e Washington, Milano, Mondadori.

Unstructured Zitierung

Tobing Rony Fatimah (1996) The Third Eye: Race, Cinema, and Ethnographic Spectacle, Durham, Duke University Press.

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Unstructured Zitierung

Tomasella Giuliana (2017), Esporre l’Italia coloniale. Interpretazioni dell’alterità, Padova, Il Poligrafo.

Unstructured Zitierung

Ukadike Frank (2013), Africa, in Winston, Brian (a cura di), The Documentary Film Book, Londra, Palgrave Macmillan, pp. 217-227.

https://doi.org/10.1007/978-1-349-92625-1_25

Unstructured Zitierung

Van Schuylenbergh Patricia (2021), Le Congo belge sur pellicule: ordre et désordres autour d'une décolonisation (ca. 1940- ca. 1960), “Revue d’histoire Contemporaine de l’Afrique”, n. 1, pp. 16-38.

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Unstructured Zitierung

Zaccaria, Massimo (2002), Eritrea in mostra: Ferdinando Martini e le esposizioni coloniali 1903-1906, “Africa”, n. 2, pp. 512-545.

Unstructured Zitierung

Zaccaria Massimo (2019), Rimuovere o riscrivere il colonialismo? Il lavoro degli italiani in Africa, in Morone, Antonio (a cura di), La fine del colonialismo italiano. Politica, società e Memorie, Firenze, Le Monnier, pp. 83-110.

Unstructured Zitierung

Zamorani Massimo (2011), Dalle navi bianche alla linea gotica 1941-1944, Milano, Mursia.

Unstructured Zitierung

Zinni Maurizio (2016), ‘Una lettera dall’Africa’. Il colonialismo italiano nel cinema del dopoguerra, 1945-1960, “Contemporanea”, n. 19 (1), pp. 69-99.