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10.3280/ess2-2023oa16406

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Zitierungen des 10.3280/ess2-2023oa16406

Unstructured Zitierung

Barfield W. e Zeltzer D. (1995). Presence and Performance Within Virtual Environments. In: W. Barfield, and T. A Furness III (eds). Virtual Environments and Advanced Interface Design (New York: Oxford Academic, online edn. 12 Nov. 2020).

https://doi.org/10.1093/oso/9780195075557.003.0023


Unstructured Zitierung

Bateson G. (1972). Steps to an Ecology of Mind. Paladin Books (trad it: Verso un’ecologia della mente, Trad. di Giuseppe Longo e di Giuseppe Trautteur, Milano: Adelphi, 1977).


Unstructured Zitierung

Bateson G. (1980). Mind and Nature - A Necessary Unity. Bantam Books (trad it: Mente e natura. Un’unità necessaria, Trad. di Giuseppe Longo, Milano: Adelphi, 1993).


Unstructured Zitierung

Bolter J. D. & Grusin R. (1999). Remediation: Understanding New Media. Cambridge: MIT Press.

https://doi.org/10.1108/ccij.1999.4.4.208.1


Unstructured Zitierung

Jenkins H. (2004). The Cultural Logic of Media Convergence. International Journal of Cultural Studies, 7, 33.

https://doi.org/10.1177/1367877904040603


Unstructured Zitierung

Karl K. A., Peluchette J. V., & Aghakhani N. (2002). Virtual Work Meetings During the COVID-19 Pandemic: The Good, Bad, and Ugly. Small Group Research, 53(3): 343-365.

https://doi.org/10.1177/10464964211015286


Unstructured Zitierung

Kock N. (2005). Media Richness or Media Naturalness? The Evolution of Our Biological Communication Apparatus and Its Influence on Our Behavior Toward E-Communication Tools. Professional Communication, IEEE Transactions on. 48. 117-130.

https://doi.org/10.1109/TPC.2005.849649


Unstructured Zitierung

Machon J. (2013). Immersive Theatres (1st ed.). Palgrave McMillan.

https://doi.org/10.1007/978-1-137-01985-1_1


Unstructured Zitierung

Mercuriali S. (2013). Immersive Imaginations, intimate and (im)mediate. In: Machon J., Immersive Theatres (1st ed.). Palgrave McMillan.


Unstructured Zitierung

McAuley G. (2000). Space in Performance: Making Meaning in the Theatre. The University of Michigan Press.

https://doi.org/10.3998/mpub.23119


Unstructured Zitierung

Monteverdi A.M. (2011). Nuovi media e nuovo teatro. Teorie e pratiche tra teatro e digitalità. Milano: FrancoAngeli.


Unstructured Zitierung

Pedullà C. (2021). Il teatro partecipativo. Paradigmi ed esperienze. Focus su Roger Bernat_FFF e Rimini Protokoll. Titivillus.


Unstructured Zitierung

Rogers A (2012). Geographies of the Performing Arts: Landscapes, Places and Cities. Geography Compass, 6.

https://doi.org/10.1111/j.1749-8198.2011.00471.x


Unstructured Zitierung

Spilker H. S. & Colbjørnsen T. (2020). The dimensions of streaming: toward a typology of an evolving concept. Media, Culture & Society, 42(7-8): 1210-1225.

https://doi.org/10.1177/0163443720904587


Unstructured Zitierung

Standaert W., Muylle S. & Basu A. (2016). An empirical study of the effectiveness of telepresence as a business meeting mode. Inf Technol Manag, 17: 323-339.

https://doi.org/10.1007/s10799-015-0221-9


Unstructured Zitierung

Straus S.G., & McGrath J.E. (1994). Does the medium matter? The interaction of task type and technology on group performance and member reactions. Journal of Applied Psychology, 79: 87-97.

https://doi.org/10.1037//0021-9010.79.1.87


Unstructured Zitierung

Thrift N. (2008). Non-representational theory: space, politics, affect. Abingdon: Routledge.

https://doi.org/10.4324/9780203946565


Unstructured Zitierung

Wright W. G. (2014).Using virtual reality to augment perception, enhance sensorimotor adaptation, and change our minds. Frontiers in Systems Neuroscience, 8, https://www.frontiersin.org/articles/

https://doi.org/10.3389/fnsys.2014.00056.