DIESE DOI-METADATEN WURDEN ZULETZT AKTUALISIERT AM: 2024-01-10 23:07
Vollständiger Titel
SOCIOLOGIA DELLA COMUNICAZIONE
Verlag
FrancoAngeli
ISSN
1121-1733 (Gedruckte Zeitschrift)
1972-4926 (Online-Zeitschrift)
Nummer der Ausgabe
63
Andere Beschreibung der Ausgabe
63
Erscheinungsdatum der Ausgabe
2022
Vollständiger Titel
Designing feminist reception studies in the new media environment: #MeToo, Tinder, and Feminist Culture Wars in the Post-Gender and Post-Reception Era
Von (Autor)
Erste Seite
58
Letzte Seite
75
Sprache des Textes
Englisch
Erscheinungsdatum
2022/06
Copyright
2022 FrancoAngeli srl
Vorwort
In this piece I treat a series of separate phenomena and events that have posed particular challenges to the terrain of feminist reception research as it seeks to grapple with these new elements of the media landscape: the #MeToo movement with its attendant publicity around the pervasiveness of sexual harassment and assault which were shaped by the "media-ready feminism" of mainstream media; reception of a popular media representation of work-life balance; gendered use of online dating apps, the associated ubiquity of "hookup culture", and what it means for feminist reception study when reception means active use but within a context of structured discrimination; and the movement critiquing the lack of representation of women and racial and other groups in the popular online encyclopedia Wikipedia. Each has challenged previous notions of how to conduct feminist media reception research.
Unstructured Zitierung
Barker-Plummer B., Barker-Plummer D. (2017), Hashtag Feminism, Digital Media, and New Dynamics of Social Change: A Case-study of #YesAllWomen in G.W. Richardson (ed.), Social Media and Politics: A New Way to Participate in the Political Process, Praeger, Santa Barbara, pp. 79-96.
Unstructured Zitierung
Blum L. (1991), Between Feminism and Labor: The Significance of the Comparable
Unstructured Zitierung
Worth Movement, University of California Press, Berkeley and Los Angeles.
Unstructured Zitierung
Blum L., Mickey E. (2019), Women Organized Against Sexual Harassment: Protesting Sexual Violence on Campus, Then and Now,
in Oren T., Press A.L. (eds.), The Routledge Handbook of Contemporary Feminism, Routledge, London, pp. 245-268.
https://doi.org/10.4324/9781315728346-17
Unstructured Zitierung
Blumer H. (1970), Movies, Delinquency, and Crime (Motion pictures and youth; the Payne fund studies), Ayer Co. Pub.
Unstructured Zitierung
Boyle K. (2019), #MeToo, Weinstein, and feminism, Palgrave Macmillan, London.
https://doi.org/10.1007/978-3-030-28243-1
Unstructured Zitierung
Brunsdon C. (2000), The Feminist, the Housewife, and the Soap Opera, Comedia, London.
https://doi.org/10.1093/acprof:oso/9780198159803.001.0001
Unstructured Zitierung
Cavalcante A. (2018), Struggling for Ordinary: Media and Transgender Belonging in Everyday Life, NYU Press, New York.
Unstructured Zitierung
Cavalcante A., Press A., Sender K. (eds.) (2017), Feminist Reception Studies in a Post-Audience Age, Routledge, London.
https://doi.org/10.1080/14680777.2017.1261822
Unstructured Zitierung
Douglas, A. (1977), The Feminization of American Culture, Farrar, Strauss, Giroux, New York.
Unstructured Zitierung
Farrow R. (2020), Catch and Kill: Lies, Spies, and a Conspiracy to Protect Predators, Fleet/William Collins, New York.
Unstructured Zitierung
Gripsrud J. (1995), The Dynasty Years: Hollywood, Television and Critical Media Studies, Routledge, London.
Unstructured Zitierung
Hansen M. (1991), Babel and Babylon: Spectatorship in American silent film, Harvard University Press, Cambridge, MA.
Unstructured Zitierung
Herzog H (1941), On Borrowed Experience: An Analysis of Listening to Daytime Sketches, in «Zeitschrift fur Sozialforschung»,
9(1), pp. 65-95.
https://doi.org/10.5840/zfs1941915
Unstructured Zitierung
Hobson D. (1982), Crossroads: The Drama of a Soap Opera, Methuen, London.
Unstructured Zitierung
Hochschild A. (2003), The Commercialization of Intimate Life, University of California Press, Berkeley.
Unstructured Zitierung
Johnson-Palomaki S.R. (2020), Hybridizing Feminism: Game of Thrones Reception and Feminist Discourse Construction, Paper presented at the International Communication Association Meetings, Gold Coast, Australia.
Unstructured Zitierung
Katz E., Lazarsfeld P.L. (2005), Personal Influence: The Part Played by People
Unstructured Zitierung
In the Flow of Mass Communication, Routledge, New York and London.
Unstructured Zitierung
Liebes T. (2003), Herzog’s “On Borrowed Experience”: It’s Place in the Debate Over the Active Audience, in Katz E., Peters J.D., Liebes T., Orloff A. (eds.), Canonic Texts in Media Research, Polity Press, Cambridge, pp. 39-54.
Unstructured Zitierung
Liebes T., Katz E. (1990), The Export of Meaning: Cross-Cultural Readings of Dallas. Oxford University Press, London and Oxford.
Unstructured Zitierung
MacLeod C., MacArthur V. (2019), The Construction of Dating in Dating Apps: An Interface Analysis of Tinder and Bumble, in
«Feminist Media Studies», 19
https://doi.org/10.1080/14680777.2018.1494618
Unstructured Zitierung
Maly I. (2021), Ideology and Algorithms. Ideology: Theory and Practice, -- [online] disponibile in https://www.academia.edu/49567290/Ideology_and_algorithms?a
Unstructured Zitierung
uto=citations&from=cover_page.
Unstructured Zitierung
McRobbie A. (1991), Feminism and youth culture: From Jackie to Just Seventeen, Macmillan Education, Basingstoke.
https://doi.org/10.1007/978-1-349-21168-5
Unstructured Zitierung
Metz C. (1974), Film language: A semiotics of the cinema. Chicago, University of Chicago Press, Chicago.
Unstructured Zitierung
Modleski T. (1984a), The Search for Tomorrow in Today’s Soap Operas, in Modleski T. (ed.), Loving with a Vengeance: Mass Produced Fantasies for Women, Methuen, New York, pp. 85-109.
Unstructured Zitierung
Modleski T. (1984b), The Rhythms of Reception: Daytime Television and Women’s Work, in Kaplan E.A. (ed.), Regarding Television, The American Film Institute Monograph Series, University Publications of America, Pp. 67-75.
Unstructured Zitierung
Mulvey L. (1975), Visual Pleasure in Narrative Cinema, in «Screen», 16(3), pp. 6-18,
https://doi.org/10.1093/screen/16.3.6
Unstructured Zitierung
Press A.L. (1990), Class, Gender, and the Female Viewer: Women's Responses to Dynasty, in Brown E. (ed.), Television and Women's Culture, SAGE, Newbury Park, CA, pp. 158-182.
Unstructured Zitierung
Press A.L. (1991), Women Watching Television: Gender, Class, and Generation in the American Television Experience, University of Pennsylvania Press, Philadelphia.
Unstructured Zitierung
Press A.L., Cole E. R. (1999), Speaking of Abortion: Television and Authority in The Lives of Women, University of Chicago Press, Chicago.
Unstructured Zitierung
Press A.L., Tripodi F. (2021), Media-Ready Feminism and Everyday Sexism: How U.S. Audiences Create Meaning Across Platforms, SUNY Press, Albany.
Unstructured Zitierung
Radway J. (1984), Reading the Romance, University of North Carolina Press, Chapel Hill, North Carolina.
Unstructured Zitierung
Rottenberg C. (2018), The Rise of Neoliberal Feminism, Oxford University Press, Oxford.
https://doi.org/10.1093/oso/9780190901226.001.0001
Unstructured Zitierung
Staiger, J. (1992), Interpreting films: Studies in the historical reception of American cinema, Princeton University Press,
Princeton, NJ.
https://doi.org/10.1515/9780691216065
Unstructured Zitierung
Tripodi, F. (2018), Searching for Alternative Facts, Data and Society Research
Unstructured Zitierung
Report, [online] disponibile in: https://datasociety.net/library/searching-for-alternative-facts/
Unstructured Zitierung
Way K. (2017), I went on a date with Aziz Ansari. It turned into the worst night of my life, [online] disponibile in: https://babe.net/2018/01/13/aziz-ansari-28355.