Unstructured Zitierung

Arts Council of England (2018), Audience development and marketing and Projects Grants, [online] testo disponibile in: www.artscouncil.org.uk/arts-councilnational-lottery-project-grants/all-information-sheets (11 marzo 2018)

Unstructured Zitierung

Boccia Artieri G. (2012), Stati di connessione. Pubblici, cittadini e consumatori nella (Social) Network Society, Franco Angeli, Milano.

Unstructured Zitierung

Bollo A. (2012), Il marketing della cultura, Carocci Editore, Roma.

Unstructured Zitierung

Bollo A. (a cura di) (2017), Le politiche per lo “sviluppo del pubblico” tra Piemonte ed Europa, Osservatorio Culturale del Piemonte, Torino, [online] -- testo disponibile in: http://www.ocp.piemonte.it/doc/altri/audience_21.06.2017_ocp.pdf (28 maggio 2018).

10.13138/2039-2362/201

Unstructured Zitierung

Bourdieu P. (1979), La distinction, Critique sociale du jugement, Les Editions de Minuit, Paris; trad. It. (2011), La distinzione, Critica sociale del gusto, il Mulino, Bologna.

Unstructured Zitierung

Campione D. (2014), Comunicare la cultura. Un modello possibile, in De Biase F. (a cura di), I pubblici della cultura. Audience development, audience engagement, Franco Angeli, Milano, pp. 361-371.

Unstructured Zitierung

Cerquetti M. (2016), More is better! Current issues and challenges for museum audience development: a literature review, in «Journal of Cultural Management & Policy», 6:1, [online] -- testo disponibile in: https://ssrn.com/abstract=2897566(13 maggio 2018).

Unstructured Zitierung

Cicerchia A. (2014), Misure della partecipazione culturale in Europa e in Italia, in De Biase F. (a cura di), I pubblici della cultura. Audience development, audience engagement, Franco Angeli, Milano, pp. 91-137. Conner L. (2013), Audience Engagement and the Role of Arts Talk in the Digital Era, Palgrave Macmillan, Hampshire.

https://doi.org/10.1057/9781137023926_7

10.1080/1369118X.2013.877953

Unstructured Zitierung

De Backer F., Peeters J., Kindekens A., Brosens D., Elias W., Lombaerts K.

Unstructured Zitierung

(2015), Adult Visitors in Museum Learning Environments, in «Procedia – Social and Behavioral Sciences», n. 191, pp. 152-162.

https://doi.org/10.1016/j.sbspro.2015.04.162

Unstructured Zitierung

Di Corato L.M. (2014), Contenuto pubblico. Museo e partecipazione, in De Biase F. (a cura di), I pubblici della cultura. Audience development, audience engagement, Franco Angeli, Milano, pp. 305-314.

Unstructured Zitierung

Deeth J. (2012), Engaging Strangeness in the Art Museum: an audience development strategy, in «Museum & Society» n. 10:1, pp. 1-14, [online] -- testo disponibile in: https://journals.le.ac.uk/ojs1/index.php/mas/article/view/191/205 (13 maggio 2018).

Unstructured Zitierung

European Union (2017), Promoting Access To Culture Via Digital Means: Policies And Strategies For Audience Development, [online] -- testo disponibile in: https://publications.europa.eu/en/publication-detail/-/publication/7839cb98-651d-11e7-b2f2-01aa75ed71a1/language-en (6 December 2017).

Unstructured Zitierung

Espinós A. (2015), Museums on Twitter: Three case studies of the relationship between a museum and its environment, MW2015: Museums and the Web 2015, [online] -- testo disponibile in: https://mw2015.museumsandtheweb.com/paper/museums-on-twitter-threecase-studies-of-the-relationship-between-a-museum-and-its-environmentmuseum-professionals-on-twitter/ (13 maggio 2018).

Unstructured Zitierung

Gray J. (2003), New audiences, new textualities: Anti-fans and non-fans, in «International Journal of Cultural Studies», n.1(6), pp. 61-81.

https://doi.org/10.1177/1367877903006001004

10.1108/AAM-04-2016-0002

Unstructured Zitierung

Hield F., Price S. (2017), “Old Adam was the first man formed”: (In)forming and investigating listeners’ experiences of new music as audience enrichment, public engagement and research, in «Participations» n. 14(1), pp. 285-312, [online]-- testo disponibile in: http://eprints.whiterose.ac.uk/115641/ (28 maggio 2018).

Unstructured Zitierung

Hills M. (2013), Fiske’s “textual productivity” and digital fandom: Web 2.0 democratization versus fan distinction?, in «Participations» n. 10(1), pp. 130-153, [online] -- testo disponibile in: http://www.participations.org/Volume%2010/Issue%201/9%20Hills%2010.1.pdf (28 maggio 2018). Jenkins H. (2006), Convergence Culture: Where Old and New Media Collide, New York University Press, New York; trad. it. (2007) Cultura Convergente. Dove collidono i vecchi e i nuovi media, Apogeo, Milano.

Unstructured Zitierung

Jenkins H., Ford S., Green J. (2013), Spreadable Media: Creating Value and Meaning in a Networked Culture, New York University Press, New York.

Unstructured Zitierung

Kawashima, N. (2000), Beyond the division of attenders vs. non-attenders: a study into audience development in policy and practice, Research papers No.6, Working Paper, Centre for Cultural Policy Studies, University of Warwick, Coventry, [online] -- testo disponibile in: http://wrap.warwick.ac.uk/35926/1/WRAP_Kawashima_ccps_paper_6.pdf (5 maggio 2018).

10.9776/14130

Unstructured Zitierung

Lughi G. (2014), Impatto culturale dei media digitali nell’arte urbana, in De Biase F. (a cura di), I pubblici della cultura. Audience development, audience engagement, Franco Angeli, Milano, pp. 271-293.

Unstructured Zitierung

Osservatorio News-Italia (2017), Informazione e patrimonio culturale. Come si informano gli italiani; come si comunicano i musei, [online] -- testo disponibile in: https://newsitaliadotorg.files.wordpress.com/2017/10/report-news-italia-2017.pdf (28 maggio 2018).

Unstructured Zitierung

Pett D. (2012), Use of Social Media within the British Museum and the Museum Sector, in Bonacchi C. (a cura di), Archaeology and Digital Communication: Towards Strategies of Public Engagement, Archetype Publications, Londra, pp. 83-102.

Unstructured Zitierung

Ritzer G. (1993), The McDonaldization of Society, Sage Publication, London.

Unstructured Zitierung

Rogers R., Rock J. (2016), Community co-creation of exhibition within museum setting, in «Tauhere» n. 2, [online] -- testo disponibile in: https://static1.squarespace.com/static/571de59907eaa0d2559579ce/t/5857a94e2994ca4821b64b69/1482139986012/Tauhere_Issue_2_RogersRock.pdf (28 maggio 2018).

Unstructured Zitierung

Russo A., Watkins J., Kelly L., Chan S. (2008), Participatory Communication with Social Media, in «Curator: The Museum Journal» n. 51, pp. 21-31.

https://doi.org/10.1111/j.2151-6952.2008.tb00292.x

Unstructured Zitierung

Taheri B., Jafarib A., O’Gorman K. (2014), Keeping your audience: Presenting a visitor engagement scale, in «Tourism Management» n. 42, pp. 321-329.

https://doi.org/10.1016/j.tourman.2013.12.011

Unstructured Zitierung

Villegas C. (2016), MIMA’s approach to participation and audience development: A new understanding of museums in the information age, in «Journal of Arts Writing by Students» n. 2(2), pp. 149-157.

https://doi.org/10.1386/jaws.2.2.149_1

Unstructured Zitierung

Walmsley B. (2016), From arts marketing to audience enrichment: How digital engagement can deepen and democratize artistic exchange with audiences, in «Poetics» n. 58, pp. 66-78.

https://doi.org/10.1016/j.poetic.2016.07.001

Unstructured Zitierung

Weilenmann A., Hillman T., Jungselius, B. (2013), Instagram at the museum: Communicating the museum experience through social photo sharing, in «Con Jenkins H. (2006), Convergence Culture: Where Old and New Media Collide, New York University Press, New York; trad. it. (2007) Cultura Convergente. Dove collidono i vecchi e i nuovi media, Apogeo, Milano.

Unstructured Zitierung

Jenkins H., Ford S., Green J. (2013), Spreadable Media: Creating Value and Meaning in a Networked Culture, New York University Press, New York.

Unstructured Zitierung

Kawashima, N. (2000), Beyond the division of attenders vs. non-attenders: a study into audience development in policy and practice, Research papers No.6, Working Paper, Centre for Cultural Policy Studies, University of Warwick, Coventry, [online] -- testo disponibile in: http://wrap.warwick.ac.uk/35926/1/WRAP_Kawashima_ccps_paper_6.pdf (5 maggio 2018).

10.9776/14130

Unstructured Zitierung

Lughi G. (2014), Impatto culturale dei media digitali nell’arte urbana, in De Biase F. (a cura di), I pubblici della cultura. Audience development, audience engagement, Franco Angeli, Milano, pp. 271-293.

Unstructured Zitierung

Osservatorio News-Italia (2017), Informazione e patrimonio culturale. Come si informano gli italiani; come si comunicano i musei, [online] -- testo disponibile in: https://newsitaliadotorg.files.wordpress.com/2017/10/report-news-italia-2017.pdf (28 maggio 2018).

Unstructured Zitierung

Pett D. (2012), Use of Social Media within the British Museum and the Museum Sector, in Bonacchi C. (a cura di), Archaeology and Digital Communication: Towards Strategies of Public Engagement, Archetype Publications, Londra, pp. 83-102.

Unstructured Zitierung

Ritzer G. (1993), The McDonaldization of Society, Sage Publication, London.

Unstructured Zitierung

Rogers R., Rock J. (2016), Community co-creation of exhibition within museum setting, in «Tauhere» n. 2, [online] -- testo disponibile in:https://static1.squarespace.com/static/571de59907eaa0d2559579ce/t/5857a94e2994ca4821b64b69/1482139986012/Tauhere_Issue_2_RogersRock.pdf (28 maggio 2018).

Unstructured Zitierung

Russo A., Watkins J., Kelly L., Chan S. (2008), Participatory Communication with Social Media, in «Curator: The Museum Journal» n. 51, pp. 21-31.

https://doi.org/10.1111/j.2151-6952.2008.tb00292.x

Unstructured Zitierung

Taheri B., Jafarib A., O’Gorman K. (2014), Keeping your audience: Presenting a visitor engagement scale, in «Tourism Management» n. 42, pp. 321-329.

https://doi.org/10.1016/j.tourman.2013.12.011

Unstructured Zitierung

Villegas C. (2016), MIMA’s approach to participation and audience development: A new understanding of museums in the information age, in «Journal of Arts Writing by Students» n. 2(2), pp. 149-157.

https://doi.org/10.1386/jaws.2.2.149_1

Unstructured Zitierung

Walmsley B. (2016), From arts marketing to audience enrichment: How digital engagement can deepen and democratize artistic exchange with audiences, in «Poetics» n. 58, pp. 66-78.

https://doi.org/10.1016/j.poetic.2016.07.001

10.1145/2470654.2466243

Unstructured Zitierung

Zafiropoulos K., Vrana V., Antoniadis K. (2015), Use of twitter and Facebook by top European museums, in «Journal of Tourism, Heritage & Services Marketing » n. 1(1), pp.16-24, [online] -- testo disponibile in: https://mpra.ub.unimuenchen.de/77408/ (13 maggio 2018).