View full metadata

DOI data

10.3280/WE2023-001006

Serial Article

Cite as

Journal Data
Journal Issue Data
Serial Article Data
Reference list of 10.3280/WE2023-001006

Unstructured Citation

Alexander V.D. (2020). Sociology of the arts: Exploring fine and popular forms. Wiley Blackwell.

Unstructured Citation

Ascoli U. e Campedelli M. (2021). Insostituibilità, riconoscenza, integrazione funzionale: la parabola del Terzo Settore nella pandemia. Politiche Sociali/Social Policies, 2: 369-388.

Unstructured Citation

Becker H.S. (1974). Photography and sociology. Studies in Visual Communication, 1(1): 3-26.

https://doi.org/10.1525/var.1974.1.1.3

Unstructured Citation

Bogre M. (2012). Photography as activism: images for social change. London: Routledge.

https://doi.org/10.4324/9780240812762

Unstructured Citation

Bolton G. (2008). “Writing is a way of saying things I can’t say” – therapeutic creative writing: a qualitative study of its value to people with cancer cared for in cancer and palliative healthcare. Medical Humanities, 34(1): 40-46.

https://doi.org/10.1136/jmh.2007.000255

Unstructured Citation

Briscese G., Lacetera N., Macis M. and Tonin M. (2020). Compliance with COVID-19 social-distancing measures in italy: the role of expectations and duration (Vol. 27). Cambridge, MA-USA: National Bureau of Economic Research.

https://doi.org/10.2139/ssrn.3567556

Unstructured Citation

Cohen-Cruz J. (2002). An introduction to community art and activism. Community arts network, 16.

Unstructured Citation

Cvetkovich A. (2007). Public feelings. South Atlantic Quarterly, 106(3): 459.

https://doi.org/10.1215/00382876-2007-004

Unstructured Citation

d'Aquili E.G., Laughlin C.D. and McManus J., with Tom Burns et al. (1979). The spectrum of ritual: A biogenetic structural analysis. New York : Columbia University Press.

Unstructured Citation

Davis-Floyd R. and Laughlin C.D. (2022). Ritual: What It Is, How It Works, and Why. New York, Oxford: Berghahn Books.

https://doi.org/10.3167/9781800735286

Unstructured Citation

Donati P. (2013). Sociologia della relazione. Milano: FrancoAngeli.

Unstructured Citation

Donati P. (1991). Teoria relazionale della società. Milano: FrancoAngeli.

Unstructured Citation

Donati P. (1983). Introduzione alla sociologia relazionale. Milano: FrancoAngeli.

Unstructured Citation

Driver T.F. (2019). Liberating rites: Understanding the transformative power of ritual. London: Routledge.

https://doi.org/10.4324/9780429040313

Unstructured Citation

Duncan C. (2005). Civilizing rituals: Inside public art museums. London: Routledge, 7-20.

https://doi.org/10.4324/9780203978719

Unstructured Citation

Fancourt D. and Finn S. (2019). What is the evidence on the role of the arts in improving health and well-being? For the World Health Organization. -- Available at: https://apps.who.int/iris/bitstream/handle/10665/329834/9789289054553-eng.pdf.

Unstructured Citation

Frith H. and Harcourt D. (2007). Using photographs to capture women’s experiences of chemotherapy: Reflecting on the method. Qualitative health research, 17(10): 1340-1350.

https://doi.org/10.1177/1049732307308949

Unstructured Citation

Gammaitoni M. (2006). Sociologia delle arti e approccio qualitativo. In: Cipriani R., a cura di, L’approccio qualitativo. Milano: Ed. Guerini, 138-153.

Unstructured Citation

Grady J. (1996). The scope of visual sociology. Visual Studies, 11(2): 10-24.

https://doi.org/10.1080/14725869608583762

Unstructured Citation

Grossi E. e Ravagnan A. (2013). Cultura e salute. La partecipazione culturale come strumento per un nuovo welfare. Milano: Springer-Verlag.

https://doi.org/10.1007/978-88-470-2781-7

Unstructured Citation

Groys B. (2014). On art activism. e-flux journal, 56(6): 1-13.

Unstructured Citation

Grosvenor I. and Macnab N. (2015). Photography as an agent of transformation: education, community and documentary photography in post-war Britain. Paedagogica Historica, 51(1-2): 117-135.

https://doi.org/10.1080/00309230.2014.997757

Unstructured Citation

Harper D. (2019). Visual sociology: Expanding sociological vision. In: Blank G., McCartney J.L., Edward Brent E., editors, New technology in sociology. New York: Routledge, 81-97.

https://doi.org/10.4324/9780429334405-6

Unstructured Citation

Jelinek A. (2014). This is not art: activism and other ‘not-art’. Bloomsbury Publishing.

https://doi.org/10.5040/9780755604920

Unstructured Citation

Kim H. and Bianco J. (2007). The effective turn: Theorizing the social. Duke University Press.

https://doi.org/10.1515/9780822389606

Unstructured Citation

Lowe S.S. (2000). Creating community: Art for community development. Journal of contemporary ethnography, 29(3): 357-386.

https://doi.org/10.1177/089124100129023945

Unstructured Citation

Marien M.W. (2006). Photography: A cultural history. Laurence King Publishing.

Unstructured Citation

Marshall D.A. (2002). Behaviour, belonging, and belief: A theory of ritual practice. Sociological theory, 20(3): 360-380.

https://doi.org/10.1111/1467-9558.00168

Unstructured Citation

Martin R. and Spence J. (1985). New portraits for old: The use of the camera in therapy. Feminist Review, 19(1): 66-92.

https://doi.org/10.1057/fr.1985.5

Unstructured Citation

McNiff S. (2004). Art heals: How creativity cures the soul. Shambhala Publications.

Unstructured Citation

Mitchell W.T. (2005). What do pictures want?: The lives and loves of images. Chigago: University of Chicago Press.

https://doi.org/10.7208/chicago/9780226245904.001.0001

Unstructured Citation

Palladino S. and Fasulo A. (2011). Pride of Place Project: Peoples Perspective Featuring Portsmouth. AM Antropologia Museale - Etnografia, Patrimoni, Culture Visive, 10(30).

Unstructured Citation

Pauwels L. (2010). Visual sociology reframed: An analytical synthesis and discussion of visual methods in social and cultural research. Sociological Methods & Research, 38(4): 545-581.

https://doi.org/10.1177/0049124110366233

Unstructured Citation

Putnam R.D. (2000). Bowling alone: The collapse and revival of American community. Touchstone Books, Simon and Schuster.

https://doi.org/10.1145/358916.361990

Unstructured Citation

Raiford L. (2009). Photography and the practices of critical black memory. History and Theory, 48(4): 112-129.

https://doi.org/10.1111/j.1468-2303.2009.00522.x

Unstructured Citation

Rampton T.B., Rosemann J.L., Latta A.L., Mandleco B.L., Olsen Roper S. and Dyches T.T. (2007). Images of life: Siblings of children with Down syndrome. Journal of Family Nursing, 13(4): 420-442.

https://doi.org/10.1177/1074840707308580

Unstructured Citation

Sedgwick E.K. (2003). Touching feeling: Affect, Pedagogy, Performativity. Duke University Press.

https://doi.org/10.2307/j.ctv11smq37

Unstructured Citation

Storm B. and Soares J. (2021). Memory in the Digital Age in The Oxford Handbook of Human Memory. Oxford: Oxford University Press.

Unstructured Citation

Thompson N., editor (2012). Living as form: Socially engaged art from 1991-2011. MIT Press.

Unstructured Citation

Trione V. (2022). Artivismo: arte, politica, impegno. Torino: Einaudi.

Unstructured Citation

Watts J. (2009). Illness and the creative arts: A critical exploration. In: Earle S., Bartholomew C. and Komaromy Carol, editors, Death and Dying: A Reader. London, UK: Sage in association with the Open University, 102-108.

Unstructured Citation

Zarobe L. and Bungay H. (2017). The role of arts activities in developing resilience and mental wellbeing in children and young people: a rapid review of the literature. Perspectives in public health, 137(6): 337-347.

https://doi.org/10.1177/1757913917712283

Unstructured Citation

Zolberg V. (1994). Sociologia dell'arte. Bologna: il Mulino.