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10.3280/SC2018-056009

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Reference list of 10.3280/SC2018-056009

Unstructured Citation

Arts Council of England (2018), Audience development and marketing and Projects Grants, [online] testo disponibile in: www.artscouncil.org.uk/arts-councilnational-lottery-project-grants/all-information-sheets (11 marzo 2018)

Unstructured Citation

Boccia Artieri G. (2012), Stati di connessione. Pubblici, cittadini e consumatori nella (Social) Network Society, Franco Angeli, Milano.

Unstructured Citation

Bollo A. (2012), Il marketing della cultura, Carocci Editore, Roma.

Unstructured Citation

Bollo A. (a cura di) (2017), Le politiche per lo “sviluppo del pubblico” tra Piemonte ed Europa, Osservatorio Culturale del Piemonte, Torino, [online] -- testo disponibile in: http://www.ocp.piemonte.it/doc/altri/audience_21.06.2017_ocp.pdf (28 maggio 2018).

Unstructured Citation

Bourdieu P. (1979), La distinction, Critique sociale du jugement, Les Editions de Minuit, Paris; trad. It. (2011), La distinzione, Critica sociale del gusto, il Mulino, Bologna.

Unstructured Citation

Campione D. (2014), Comunicare la cultura. Un modello possibile, in De Biase F. (a cura di), I pubblici della cultura. Audience development, audience engagement, Franco Angeli, Milano, pp. 361-371.

Unstructured Citation

Cerquetti M. (2016), More is better! Current issues and challenges for museum audience development: a literature review, in «Journal of Cultural Management & Policy», 6:1, [online] -- testo disponibile in: https://ssrn.com/abstract=2897566(13 maggio 2018).

Unstructured Citation

Cicerchia A. (2014), Misure della partecipazione culturale in Europa e in Italia, in De Biase F. (a cura di), I pubblici della cultura. Audience development, audience engagement, Franco Angeli, Milano, pp. 91-137. Conner L. (2013), Audience Engagement and the Role of Arts Talk in the Digital Era, Palgrave Macmillan, Hampshire.

https://doi.org/10.1057/9781137023926_7

Unstructured Citation

De Backer F., Peeters J., Kindekens A., Brosens D., Elias W., Lombaerts K.

Unstructured Citation

(2015), Adult Visitors in Museum Learning Environments, in «Procedia – Social and Behavioral Sciences», n. 191, pp. 152-162.

https://doi.org/10.1016/j.sbspro.2015.04.162

Unstructured Citation

Di Corato L.M. (2014), Contenuto pubblico. Museo e partecipazione, in De Biase F. (a cura di), I pubblici della cultura. Audience development, audience engagement, Franco Angeli, Milano, pp. 305-314.

Unstructured Citation

Deeth J. (2012), Engaging Strangeness in the Art Museum: an audience development strategy, in «Museum & Society» n. 10:1, pp. 1-14, [online] -- testo disponibile in: https://journals.le.ac.uk/ojs1/index.php/mas/article/view/191/205 (13 maggio 2018).

Unstructured Citation

European Union (2017), Promoting Access To Culture Via Digital Means: Policies And Strategies For Audience Development, [online] -- testo disponibile in: https://publications.europa.eu/en/publication-detail/-/publication/7839cb98-651d-11e7-b2f2-01aa75ed71a1/language-en (6 December 2017).

Unstructured Citation

Espinós A. (2015), Museums on Twitter: Three case studies of the relationship between a museum and its environment, MW2015: Museums and the Web 2015, [online] -- testo disponibile in: https://mw2015.museumsandtheweb.com/paper/museums-on-twitter-threecase-studies-of-the-relationship-between-a-museum-and-its-environmentmuseum-professionals-on-twitter/ (13 maggio 2018).

Unstructured Citation

Gray J. (2003), New audiences, new textualities: Anti-fans and non-fans, in «International Journal of Cultural Studies», n.1(6), pp. 61-81.

https://doi.org/10.1177/1367877903006001004

Unstructured Citation

Hield F., Price S. (2017), “Old Adam was the first man formed”: (In)forming and investigating listeners’ experiences of new music as audience enrichment, public engagement and research, in «Participations» n. 14(1), pp. 285-312, [online]-- testo disponibile in: http://eprints.whiterose.ac.uk/115641/ (28 maggio 2018).

Unstructured Citation

Hills M. (2013), Fiske’s “textual productivity” and digital fandom: Web 2.0 democratization versus fan distinction?, in «Participations» n. 10(1), pp. 130-153, [online] -- testo disponibile in: http://www.participations.org/Volume%2010/Issue%201/9%20Hills%2010.1.pdf (28 maggio 2018). Jenkins H. (2006), Convergence Culture: Where Old and New Media Collide, New York University Press, New York; trad. it. (2007) Cultura Convergente. Dove collidono i vecchi e i nuovi media, Apogeo, Milano.

Unstructured Citation

Jenkins H., Ford S., Green J. (2013), Spreadable Media: Creating Value and Meaning in a Networked Culture, New York University Press, New York.

Unstructured Citation

Kawashima, N. (2000), Beyond the division of attenders vs. non-attenders: a study into audience development in policy and practice, Research papers No.6, Working Paper, Centre for Cultural Policy Studies, University of Warwick, Coventry, [online] -- testo disponibile in: http://wrap.warwick.ac.uk/35926/1/WRAP_Kawashima_ccps_paper_6.pdf (5 maggio 2018).

Unstructured Citation

Lughi G. (2014), Impatto culturale dei media digitali nell’arte urbana, in De Biase F. (a cura di), I pubblici della cultura. Audience development, audience engagement, Franco Angeli, Milano, pp. 271-293.

Unstructured Citation

Osservatorio News-Italia (2017), Informazione e patrimonio culturale. Come si informano gli italiani; come si comunicano i musei, [online] -- testo disponibile in: https://newsitaliadotorg.files.wordpress.com/2017/10/report-news-italia-2017.pdf (28 maggio 2018).

Unstructured Citation

Pett D. (2012), Use of Social Media within the British Museum and the Museum Sector, in Bonacchi C. (a cura di), Archaeology and Digital Communication: Towards Strategies of Public Engagement, Archetype Publications, Londra, pp. 83-102.

Unstructured Citation

Ritzer G. (1993), The McDonaldization of Society, Sage Publication, London.

Unstructured Citation

Rogers R., Rock J. (2016), Community co-creation of exhibition within museum setting, in «Tauhere» n. 2, [online] -- testo disponibile in: https://static1.squarespace.com/static/571de59907eaa0d2559579ce/t/5857a94e2994ca4821b64b69/1482139986012/Tauhere_Issue_2_RogersRock.pdf (28 maggio 2018).

Unstructured Citation

Russo A., Watkins J., Kelly L., Chan S. (2008), Participatory Communication with Social Media, in «Curator: The Museum Journal» n. 51, pp. 21-31.

https://doi.org/10.1111/j.2151-6952.2008.tb00292.x

Unstructured Citation

Taheri B., Jafarib A., O’Gorman K. (2014), Keeping your audience: Presenting a visitor engagement scale, in «Tourism Management» n. 42, pp. 321-329.

https://doi.org/10.1016/j.tourman.2013.12.011

Unstructured Citation

Villegas C. (2016), MIMA’s approach to participation and audience development: A new understanding of museums in the information age, in «Journal of Arts Writing by Students» n. 2(2), pp. 149-157.

https://doi.org/10.1386/jaws.2.2.149_1

Unstructured Citation

Walmsley B. (2016), From arts marketing to audience enrichment: How digital engagement can deepen and democratize artistic exchange with audiences, in «Poetics» n. 58, pp. 66-78.

https://doi.org/10.1016/j.poetic.2016.07.001

Unstructured Citation

Weilenmann A., Hillman T., Jungselius, B. (2013), Instagram at the museum: Communicating the museum experience through social photo sharing, in «Con Jenkins H. (2006), Convergence Culture: Where Old and New Media Collide, New York University Press, New York; trad. it. (2007) Cultura Convergente. Dove collidono i vecchi e i nuovi media, Apogeo, Milano.

Unstructured Citation

Jenkins H., Ford S., Green J. (2013), Spreadable Media: Creating Value and Meaning in a Networked Culture, New York University Press, New York.

Unstructured Citation

Kawashima, N. (2000), Beyond the division of attenders vs. non-attenders: a study into audience development in policy and practice, Research papers No.6, Working Paper, Centre for Cultural Policy Studies, University of Warwick, Coventry, [online] -- testo disponibile in: http://wrap.warwick.ac.uk/35926/1/WRAP_Kawashima_ccps_paper_6.pdf (5 maggio 2018).

Unstructured Citation

Lughi G. (2014), Impatto culturale dei media digitali nell’arte urbana, in De Biase F. (a cura di), I pubblici della cultura. Audience development, audience engagement, Franco Angeli, Milano, pp. 271-293.

Unstructured Citation

Osservatorio News-Italia (2017), Informazione e patrimonio culturale. Come si informano gli italiani; come si comunicano i musei, [online] -- testo disponibile in: https://newsitaliadotorg.files.wordpress.com/2017/10/report-news-italia-2017.pdf (28 maggio 2018).

Unstructured Citation

Pett D. (2012), Use of Social Media within the British Museum and the Museum Sector, in Bonacchi C. (a cura di), Archaeology and Digital Communication: Towards Strategies of Public Engagement, Archetype Publications, Londra, pp. 83-102.

Unstructured Citation

Ritzer G. (1993), The McDonaldization of Society, Sage Publication, London.

Unstructured Citation

Rogers R., Rock J. (2016), Community co-creation of exhibition within museum setting, in «Tauhere» n. 2, [online] -- testo disponibile in:https://static1.squarespace.com/static/571de59907eaa0d2559579ce/t/5857a94e2994ca4821b64b69/1482139986012/Tauhere_Issue_2_RogersRock.pdf (28 maggio 2018).

Unstructured Citation

Russo A., Watkins J., Kelly L., Chan S. (2008), Participatory Communication with Social Media, in «Curator: The Museum Journal» n. 51, pp. 21-31.

https://doi.org/10.1111/j.2151-6952.2008.tb00292.x

Unstructured Citation

Taheri B., Jafarib A., O’Gorman K. (2014), Keeping your audience: Presenting a visitor engagement scale, in «Tourism Management» n. 42, pp. 321-329.

https://doi.org/10.1016/j.tourman.2013.12.011

Unstructured Citation

Villegas C. (2016), MIMA’s approach to participation and audience development: A new understanding of museums in the information age, in «Journal of Arts Writing by Students» n. 2(2), pp. 149-157.

https://doi.org/10.1386/jaws.2.2.149_1

Unstructured Citation

Walmsley B. (2016), From arts marketing to audience enrichment: How digital engagement can deepen and democratize artistic exchange with audiences, in «Poetics» n. 58, pp. 66-78.

https://doi.org/10.1016/j.poetic.2016.07.001

Unstructured Citation

Zafiropoulos K., Vrana V., Antoniadis K. (2015), Use of twitter and Facebook by top European museums, in «Journal of Tourism, Heritage & Services Marketing » n. 1(1), pp.16-24, [online] -- testo disponibile in: https://mpra.ub.unimuenchen.de/77408/ (13 maggio 2018).