View full metadata

THIS DOI METADATA WAS LAST UPDATED: 2024-01-10 23:08

DOI data

10.3280/CCA2022-002004

Serial Article

Cite as

Journal Data
Journal Issue Data
Serial Article Data
Reference list of 10.3280/CCA2022-002004

Unstructured Citation

Alexander D. (2016). The accountant as a nobody. Accounting and Cultures, XVI, 2: 45-63.

https://doi.org/10.3280/CCA2016-002003


Unstructured Citation

Balfe J.H. (1993). Paying the piper: causes and consequences of art patronage. Urbana and Chicago: University of Illinois Press.


Unstructured Citation

Barbon A. (2000). Aspetti della privacy di un dittatore: Mussolini e i musicisti del suo tempo. Milano: FrancoAngeli.


Unstructured Citation

Baumol W.J. and Bowen W.G. (1965). On the Performing arts: The Anatomy of Their Economic Problems. The American Economic Review, 55, 1-2: 495-502.


Unstructured Citation

Baumol W.J. and Bowen W.G. (1966). Performing arts: the economic dilemma. A study of problems common to theater, opera, music and dance. New York: Twentieth Century Fund.


Unstructured Citation

Benjamin W. (1968). The Work of Art in the Age of Mechanical Reproduction. In: Arendt H (ed.). Illuminations. New York: Harcourt.


Unstructured Citation

Berghaus G. and Berghaus G. (Eds.) (1996). Fascism and theatre: comparative studies on the aesthetics and politics of performance in Europe, 1925-1945. Oxford: Berghahn Books Providence.


Unstructured Citation

Biguzzi S. (2003). L’orchestra del duce: Mussolini, la musica e il mito del capo. Torino: Utet.


Unstructured Citation

Blyth A. (1990). Liner notes to Schipa Edition. 1, Naxos Historical, 8.110332.


Unstructured Citation

Bochner A.P. and Ellis C. (1992). Personal narrative as a social approach to interpersonal communication. Communication Theory, 2, 2: 165-172.

https://doi.org/10.1111/j.1468-2885.1992.tb00036.x


Unstructured Citation

Bochner A.P. and Ellis C. (2016). Evocative autoethnography. Writing lives and telling stories. New York: Routledge.

https://doi.org/10.4324/9781315545417


Unstructured Citation

Byrnes W.J. (2009). Management and the arts. Oxford: Focal Press.

https://doi.org/10.1016/B978-0-240-81004-1.00001-1


Unstructured Citation

Carluccio G. (2007). Tito Schipa. Un Leccese nel mondo. San Cesario di Lecce: Manni.


Unstructured Citation

Ceriani D. (2017). Mussolini, la critica musicale italiana e i festival della Società Internazionale di Musica Contemporanea in Italia negli anni Venti. Journal of Music Criticism, 1, 1: 17-71.


Unstructured Citation

Chiaravalloti F. (2016). Performance evaluation in the arts: from the margins of accounting to the core of accountability. Groningen: University of Groningen Press.


Unstructured Citation

Cross E. (1994). The Opera Theater of Count Franz Anton von Sporck in Prague. Music & Letters, 75, 3: 448-450.

https://doi.org/10.1093/ml/75.3.448


Unstructured Citation

D’Andrea R. (1981). Tito Schipa: nella vita, nell’arte, nel suo tempo. Fasano: Schena Editore.


Unstructured Citation

Denzi N.K. (1989). Interpretive biography. Newbury Park CA: Sage.

https://doi.org/10.4135/9781412984584


Unstructured Citation

Denzin N.K. (2014). Interpretive autoetnography. London: Sage.

https://doi.org/10.4135/9781506374697


Unstructured Citation

Eade J.C., Kent F.W. and Simons P. (Eds.) (1987). Patronage, art, and society in Renaissance Italy. Humanities research centre. Canberra: Oxford University Press.


Unstructured Citation

Eley G. (2013). Nazism as fascism: violence, ideology, and the ground of consent in Germany 1930-1945. Abingdon: Routledge.

https://doi.org/10.4324/9780203694305


Unstructured Citation

Eley G. (2016). Conservatives – Radical Nationalists – Fascists. In: Abromeit J., Chesterton B.M., Marotta G. and Norman Y., Transformations of populism in Europe and the Americas: history and recent tendencies. London, New York: Bloomsbury Publishing.


Unstructured Citation

Ellwood S. and Greenwood M. (2016). Accounting for heritage assets: does measuring economic value ‘kill the cat’?. Critical Perspectives on Accounting, 38: 1-13,

https://doi.org/10.1016/j.cpa.2015.05.009


Unstructured Citation

Falasca-Zamponi S. (1997). Fascist spectacle: the aesthetics of power in Mussolini’s Italy, 28. University of California Press.

https://doi.org/10.1525/9780520926158


Unstructured Citation

Ferrari F. (2012). Intorno al palcoscenico. Storie e cronache dell’organizzazione teatrale. Milano: FrancoAngeli.


Unstructured Citation

Fiske J. (1989). Understanding Popular Culture. London: Routledge.


Unstructured Citation

Foucault M. (1991). The Foucault effect: Studies in governmentality. In Burchell G., Gordon C. and Miller P. (Eds.). London: Harvester Wheatsheaf.


Unstructured Citation

Gentile E. (2006). Politics as religion. Princeton: University Press Princeton.

https://doi.org/10.1515/9781400827213


Unstructured Citation

Glixon B.L. and Glixon J.E. (2006). Inventing the Business of Opera: the Impresario and his World in Seventeenth-Century Venice. New York: Oxford University Press.

https://doi.org/10.1093/acprof:oso/9780195154160.001.0001


Unstructured Citation

Goldthwaite R.A. (1993). Wealth and the demand for art in Italy. Baltimore: Hopkins University Press.


Unstructured Citation

Hancock G. (1979). Home Budgeting. London: Oyez Publishing Ltd.


Unstructured Citation

Henstock M. (1992). Tito Schipa, little-known recordings GEMM CDS 9988 Pearl Records. Sussex.


Unstructured Citation

Hollingsworth M. (1994). Patronage in Renaissance Italy: from 1400 to the early sixteenth century. London: John Murray.


Unstructured Citation

Hopper T. and Bui B. (2016). Has management accounting research been critical?. Management Accounting Research, 31: 10-30,

https://doi.org/10.1016/j.mar.2015.08.001


Unstructured Citation

Hutchinson P. (2001). The Glory of Italy; liner notes to ‘Giuseppe di Stefano; early treasures’. Preiser Records PR 93432.


Unstructured Citation

Jeacle I. and Miller P. (2016). Accounting, culture, and the state. Critical Perspectives on Accounting, 37: 1-4,

https://doi.org/10.1016/j.cpa.2015.10.001


Unstructured Citation

Kempers B. and Jackson B. (1992). Painting, power and patronage: the rise of the professional artist in the Italian Renaissance. London: Penguin Press.


Unstructured Citation

King T. (2001). Patronage and market in the creation of opera before the institution of intellectual property. Journal of Cultural Economics, 25, 1: 21-45.

https://doi.org/10.1023/A:1007670619720


Unstructured Citation

Llewellyn S. and Walker S.P. (2000). Household accounting as an interface activity: the home, the economy and gender. Critical Perspectives on Accounting, 11, 4: 447-478,

https://doi.org/10.1006/cpac.1999.0373


Unstructured Citation

Lytle G.F. and Orgel S. (Eds.) (2014). Patronage in the Renaissance. Princeton: Princeton University Press.


Unstructured Citation

Paoletti M. (2015). Mascagni, Mocchi, Sonzogno. La Società Teatrale Internazionale (1908-1931) e i suoi protagonisti. Arti della performance: orizzonti e culture, 4, Bologna: AlmaDL.


Unstructured Citation

Papi L., Bigoni M., Gobbo G. and Deidda Gagliardo E. (2020). Using accounting as a political weapon. The University of Ferrara and Italian Fascism. Accounting and Cultures, XX, 1: 7-32.

https://doi.org/10.3280/CCA2020-001002


Unstructured Citation

Passmore K. (2017). Fascism as a social movement in a transnational context. In: Berger S. and Nehring H. (Eds.). The History of Social Movements in Global Perspective: A Survey. London: Springer Nature- Palgrave Macmillan.

https://doi.org/10.1057/978-1-137-30427-8_20


Unstructured Citation

Piazzoni I. (1996). Dal ‘Teatro dei palchettisti’ all’Ente Autonomo: la Scala, 1897-1920. Firenze: La Nuova Italia Editrice.


Unstructured Citation

Pierce J.L. (2000). Programmatic risk-taking by American opera companies. Journal of Cultural Economics, 24, 1: 45-63.

https://doi.org/10.1023/A:1007588802339


Unstructured Citation

Rosselli J. (1982). Agenti teatrali nel mondo dell'opera lirica italiana dell’Ottocento. Rivista italiana di musicologia, 17, 1: 134-154.


Unstructured Citation

Rosselli J. (1985). L’impresario d’opera. 14. EDT srl.


Unstructured Citation

Rosselli J. (1990). The opera business and the Italian immigrant community in Latin America 1820-1930: the example of Buenos Aires. Past and Present, 127: 155-182.

https://doi.org/10.1093/past/127.1.155


Unstructured Citation

Schipa T. (1961). Tito Schipa si confessa. Roma: Pubblimusic.


Unstructured Citation

Schipa T. Jr. (1996). Tito Schipa: A Biography. Dallas: Baskerville.


Unstructured Citation

Schipa T. Jr. (2004). Tito Schipa. Lecce: Argo.


Unstructured Citation

Stone M.S. (1998). The Patron State: culture & politics in fascist Italy. Princeton: Princeton University Press.


Unstructured Citation

Towse R. (2003). A handbook of cultural economics. Northampton: Edward Elgar Publishing.

https://doi.org/10.4337/9781781008003


Unstructured Citation

Trezzini L. (2000). La formazione manageriale dello spettacolo in Europa. Roma: Bulzoni.


Unstructured Citation

Walker S.P. (2000). Encounters with Nazism: British accountants and the fifth international congress on accounting. Critical Perspectives on Accounting, 11, 2: 215-245,

https://doi.org/10.1006/cpac.1998.0317


Unstructured Citation

Zan L., Blackstock A., Cerutti G. and Mayer C. (2000). Accounting for Art. Scandinavian Journal of Management, 16, 5: 335-347.

https://doi.org/10.1016/S0956-5221(00)00006-3


Unstructured Citation

Zan L. (2002). Genres and change in writing accounting history. A comparison between accounting and music historiography. In: 2nd Annual Conference of The European Academy of Management on Innovative Research in Management. May, Sweden.


Unstructured Citation

Zan L. (2006). Managerial rhetoric and arts organizations. Basingstoke: Palgrave Macmillan.

https://doi.org/10.1057/9780230624801